Reviews
Following her concert with Arion Baroque at Bourgie Hall, April 5, 2025.
[…] The brilliant soprano Marianne Lambert reveals a voice that has become richer and fuller, with a very touching expression. […] She went one step further with the concert’s climax: “O, let me forever weep”, from The Fairy Queen […] and sang a touching “When I am laid in earth” by Purcell. […] The bravura aria “No, no I’ll take no less” from Semele was mastered with bite and virtuosity by Marianne Lambert, violinist Julie Rivest and the orchestra. Full article.
A lovely light soprano whose sweet timbre and supernatural vocalizing float into the stratosphere with the ease of a tightrope walker.
The young soprano from Quebec, Marianne Lambert, is pure perfection: her airborne fairy vocalizes with disarming assurance, including trills and extended register, entirely appropriate for the style, yet with a totally fresh approach.
Another standout was the coloratura Marianne Lambert as the Fairy Godmother, who added good acting to the main elements of fluid athleticism and brilliant sound.
On her album: Canzone di Notte (Fidelio)
Together Lambert and Milot create a grand edifice of song through this well-chosen repertoire.
Marianne Lambert of Quebec, discovered a few seasons ago at Opéra de Rennes in Reynaldo Hahn’s Ô mon bel inconnu, makes light of all the vocal acrobatics of the role with unmistakable charm and virtuosity, contributing to the magic of these scenes.